News & Editorial

Sarah draws on her years of experience as a novelist and journalist in this very hands-on, practical workshop. She’ll teach techniques to get students’ creativity flowing, as well as concrete, practical tools to create narrative tension, deepen character, and create a sense of immediacy for the reader. She gives comprehensive handouts, with examples from others’ writing, and illustrates with anecdotes from her own writing experience. She gets the students writing straight away, and they’ll do lots of writing throughout the workshop. 

This workshop works best for a group of the same stage or a group of keen writers across a mix of stages.

Topics covered

• Free-writing as a brainstorming tool and fast, effective way to write a first draft.
• The drafting process – how a first draft is different to the final draft.
• Exercises to flesh out character.
• Using detail to show rather than tell.
• Writing a ‘sensory brainstorm’ to generate material to bring a piece of action alive.
• A strategy for creative writing in an exam.
• Student Q and A.

In this practical workshop, Sarah will teach students techniques to get their writing flowing, as well as concrete, practical tools to create narrative tension and to deepen character. She explains how students can write ‘scene’ to create immediacy for the reader and to show rather then tell. Most students write in summary and find it a revelation to learn about writing in scene. She gives comprehensive handouts, with examples from others’ writing, and illustrates with anecdotes from her own writing experience. She gets the students writing straight away, and they’ll do lots of writing throughout the workshop.

This workshop is also suitable for keen and focused stage 4 students.

Topics covered

• Free-writing as a brainstorming tool and fast, effective way to write a first draft.
• Fleshing out character using free-written character histories
• When to show and when to tell.
• Using scene to show and create immediacy
• Writing a sensory brainstorm to add effective detail to scene.
• A strategy for creative writing in an exam.
• Student Q and A

This workshop uses Laura’s ‘Dream Riders’ horse series as a starting point to explore how grappling with complex or scary feelings – the everyday sort, not the jumping out of a plane sort – can inspire emotionally rich and truthful storytelling. It’s tempting to ignore difficult feelings and ‘put on a happy face’, but shining a light on challenging experiences and feelings can help us develop realistic characters and moving stories which will powerfully connect with others. Laura draws on her extensive experience in running workshops and telling stories for young people to help students tap into where great writing comes from.

Suitable for both keen and reluctant readers/writers.

Topics covered

• Discussing favourite book/story characters who experience big feelings
• Role playing/role swapping exercises so students can experience different points of view to inform character and story development
• Guided individual and group writing exercises for students to ‘put on paper’ what they discovered through role playing and point of view exercises
• Student Q and A

Tailored to any upper primary and high school students, Benjamin delivers an inspiring workshop  exploring  ideas of being a ‘story hunter’, encouraging students to find and develop ideas, understand simple structure to engage readers and above all make writing fun.

Participants observe, experience and let the world around them rush onto the page. The forward-motion and physical exercise bring the writing experience alive, forging new and unexpected stories. Can be done in the school playground! 

Topics covered

• Writing outdoors for story inspiration
• Present-moment awareness as a storytelling tool
• Discovering character inspiration from the people and spaces around you

How can you use all the odd, boring, funny stuff that happens to you and turn it into stories? Author Tristan Bancks uses bits from his own life to inspire his books from Tom Weekly to Ginger Meggs and Two Wolves to The Fall. Like the time his sister made him eat Vegemite off her big toe or the time he had his appendix removed just to get out of school detention. And the day he visited a crime scene during high school work experience. Learn how to mine your own life for cool, weird, funny stories that your friends will love.

Topics covered

• Using memory for story inspiration
• Mashing truth and fiction to create authentic, entertaining stories
• Freewriting practice to discover untapped story ideas